... despite the fact that she was the polar opposite of prolific, it is shocking to discover that an artist blessed with this much talent could have been neglected for so long. Bravo, Dulwich Picture Gallery, for rescuing Knights from the deluge of obscurity.
Through drawings, paintings and sketchbooks from public and private collections, this exhibition provides a vivid encounter with an artist whose neglect seems all the more curious given the distinctive qualities ... of her work ... Knights’ greatest achievement was her originality.
“... This exhibition at the Dulwich Picture Gallery in 2016, guest-curated by Sacha Llewellyn of Liss Llewellyn Fine Arts, brought together a selection of Knights’ major works for the first time since 1995. To coincide with the Dulwich exhibition, Llewellyn has provided an excellent catalogue with a detailed biography and perceptive commentary on Knights’ work. ...”www.tandfonline.com
Sacha Llewellyn, who curated the exhibition and wrote its catalogue, has done much to revive the reputation of Knights and other artists of the British School at Rome ... the catalogue, scholarly, but highly readable, is important in expanding a number of themes central to the exhibition.
This is an exhibition that slowly yields its pleasures, and in the frenetic time we currently inhabit, it is also curiously soothing.
This beautiful retrospective leaves one wishing for more...
The ressurection of Winifred Knights is one of the big events of 2016.
These exquisite, never been shown artworks by the British artist Winifred Knights (1899-1947), are a revelation.
This forgotten artist’s strange and visionary pictures are full of echoes from the early Renaissance - in her finest work you can see she was, simultaneously, a lover of Piero and a member of the same generation as Salvador Dalí.
Knights’ use of classical subjects in a modern age made her the most promising painter of the 1920s. So why is she only now receiving her first retrospective exhibition?
There is an intense sense of serenity, silence and deliberation, as in the art of Piero Della Francesca.
But Knights takes it all into the 20th Century.
Winifred Knights, The Santissima Trinita, 1924-30
Dulwich Picture Gallery
8 June – 18 September 2016
The first major retrospective of the artist's work reunites all of her completed paintings for the first time since their creation.
Winifred Knights, seen in the British School in 1923, was the first woman to hold the Rome Scholarship
The Independent Monday, 9 November 2015
By Nick Clark / Arts Correspondent
Described as a “genius” and a “leading light” of 20th-century British art by her peers, Winifred Knights died in relative obscurity at the age of 47. Even attendees at the Tate Britain’s recent Fighting History exhibition, which offered visitors a chance to see her much-admired painting The Deluge, thought incorrectly that the work was by Stanley Spencer.
But now, seven decades after her death, a London gallery will host a major retrospective of the artist’s influential work. Dulwich Picture Gallery aims to re-establish the first woman to hold the prestigious Rome Scholarship as a leading light of 20th-century British art by putting on the retrospective next year, bringing together her major works for the first time.
The exhibition will be guest-curated by Sacha Llewellyn. “The quality of her work never ceases to inspire and amaze,” says Ms Llewellyn. “She never had a major retrospective in her lifetime, which makes it so exciting that it’s happening at last.
... Dulwich, meanwhile, is ploughing ahead with its own successful series of British modernist shows... I can’t wait to see what the gallery and the public makes of Winifred Knights (8 June–18 September 2016). Her work is not well known, and is often compared to (or indeed mistaken for) that of her more famous contemporary, Stanley Spencer. This show, which features every one of her completed paintings, along with some 120 drawings and sketches, will finally give her art a chance to stand alone.